Monumental spaces, light and shadows

3-Dimensional structures bending and deforming

Raw textures

Ruins and Nature

Brutalist corridors and buildings, reduced to raw materials: concrete, plain textures, minimal structures with only their backbone elements. The core idea is the interaction between light and music, with light shaping how the space is perceived. The complexity of both the architecture and the lighting can be modulated, from a single beam in an empty corridor to dense, layered structures. A few examples follow.

Three-dimensional abstract spaces, explored in unconventional ways. The idea is to bend space, with movements that can be extremely slow or very fast. The focus is on how we perceive dimension and depth: flattening or expanding space through the camera’s field of view, and letting the sense of depth shift during movements and distortions.

Very raw, abstract, noisy textures in motion. Shown here in a red palette, which can change to fit the project. The camera moves from extreme close-ups to large-scale elements, creating a sense of vast spaces and environments. This is the theme where interaction with the music, and motion in general, can be most prominent.

Real architecture, ruins and nature, captured and blended into one hybrid landscape. Using point cloud and Gaussian splatting extraction, existing places are turned into fragile, particle-based representations: walls dissolve into vegetation, ruins float in empty space, and the line between built and natural disappears. Light is what holds the scenes together, revealing and erasing these fragments as it moves, and reacting to the music to bring forgotten spaces back to life.

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